kingjon wrote:
First of all, stereotypes are useful things ... so it's nice to be able to let the reader "fill in the blanks" for us. (They're useful even in ordinary life; the danger is in assuming that, or acting as if, they are a complete and accurate description of reality, instead of a mostly-accurate executive summary.)
I completely agree.
kingjon wrote:
Second, at least in fiction, stereotypes and tropes can change. Tolkien had to explicitly (if I recall correctly) distinguish his elves and dwarves from the "brownies" and malevolent earth spirits of folklore, for example.
I hadn't though of that, but makes sense. However, unless one is writing specifically for a generation or three down the line, I do not see how that applies to how we should approach stereotypes in writing now.
Incidentally, there was one instance where Tolkien had to back away from a worldbuilding element because of the common stereotype. Originally, one of the Elvish tribes was called the Gnomes because of their love of knowledge, but, because of the prevalent malevolent-spirit-of-folklore-stereotype, he decided to change their name to be the Noldor.
kingjon wrote:
What I do (and I think can work really well if done properly) is to start with these tropes or stereotypes, then in a few places turn them on their head. In my world, for example, if you want to know some obscure bit of anient lore that's probably mentioned in a book you only know exists because of a footnote in a manuscript that only survives because of what was written on the opposite side of the parchment, you go not to the elves, but to the great underground cities of the dwarves, who have delved deep and traded far and wide in search of knowledge. But most of the other characteristics of the dwarves are much as any reader of modern fantasy might expect.
I do that myself. The elvish-like race and the vampires started very similar to their common stereotype, but diverged (in some places dramatically) from there.
Nice idea for your dwarves.

It makes complete sense too.
