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 Post subject: The Ending
PostPosted: September 23rd, 2011, 10:23 pm 
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What is The Ending? The Ending is my first serious fantasy story, which will first be a treatment (hopefully to be completed in time to be entered in the SAICFF treatment competition) and then, Lord willing, a screenplay, and maybe, just maybe, a film someday.

The Ending has to do with The Controllers, but it's not really about the Controllers.

The Ending is about a young woman named Heather.

When Heather was a little girl, she started a fantasy story. She worked on it for years, but when she was about thirteen or fourteen, her parents were divorced. Shaken by this ending to her previously secure world, she stopped writing -- partially because it didn't seem important anymore, but partially because she became afraid of endings.

Afraid of stopping the way things were. Afraid of things coming crashing down like her world had when her father left.

On the eve of her wedding, she's afraid. Afraid that her marriage will end up like her parents'. Afraid of moving on from the life she has in her home with her mother. Afraid, again, of endings. She falls asleep wondering if she's going to be able to go through with the wedding tomorrow.

When she wakes up, she's under a dark, cloudy sky, laying on the brown grass in a cold world.

At first she's confused about where she is. Then she begins to wonder if she is dreaming about the fantasy world she created. She gets up and looks around. She stares at the horizon for awhile, feeling cold wind on her cheek, then when she turns around she is shocked to find herself confronted by a young man, staring her straight in the eye.

He introduces himself as Wind, and his austere companion, who stands a few feet away with two horses, as Mineral.

Now Heather has no doubt that this is the world she created. These are two of the Controllers that she wrote about. She betrays surprise and says something about having written them.

Instead of showing confusion, they suddenly grab her and shove her onto Wind's horse. They start to ride away with her. She screams, and tries to ask what they want with her.

When they stop for a meal, Wind sits down and explains that they just did that to keep his father from finding her first. They've been waiting for her for years.

Ever since she stopped writing the book, nothing has progressed. The people live, but no one gains the upper hand in the power struggle, and nothing can ever change much. They've been waiting for her to write the ending.

Now Wind and Heat want her to write it their way.

But just then, the fire is put out and the stars and moon darken, leaving them in pitch black. Heather finds her hand grabbed in the dark and she's pulled away and set on another horse. It's not until they're far away that the lights come back and she finds that she's on a horse with a girl a couple years older than herself, and a middle-aged man is riding next to them.

When they stop, they introduce themselves as Light and Water, more characters from her book. They too want her to write the ending, but they want her to write it for the good of all the controllers and the people.

Heather's skeptical, but they will at last convince her to come with them to write the ending so the world can at last move on.

In order to write the ending, two things must happen:

1. Without the Book, the Writer cannot affect the story in any other way than a normal character. She has to have the Book in her hands. So they have to take her to the Book, which is in a stone sanctuary high in the mountains, which also happens to be the place that legend says the Controllers must gather to release their power and usher in a new world order.

2. They have to find the Plant and Heat Controllers. No one knows who the powers got passed to after the previous Controllers died, not even Heather, because she hadn't figured it out when she was writing the story. But she can't write the ending until she sees and talks to them, because she needs to write about them too.

So Light, Water, and Heather set out to find Heat and Plant, and then travel to the Book. The elderly Creature gets sent off ahead, and sends help from time to time. Wind and Mineral chase them and cause all the trouble they can.

Eventually, they find Plant, a farmer's wife, because of the plants that grow around her home. They realize that Heat must be either her husband or father, and when they find that her father has died, they realize it is her husband -- but Wind and Mineral get there first, and kidnap Heat.

They take Heat to the sanctuary, trying to get Heather to follow so they can convince her to write their ending. Light, Water and Heather follow, and meet Creature there.

All the Controllers end up at each others' throats, and keep each other at swordpoint while Heather walks up to the book.

She realizes at last, as she holds the book in her hands, what Light's been trying to tell her all along.

An ending isn't an ending at all.

It's just a new beginning.

I'm still deciding on what will be the ending that she writes that signifies that.

Then she goes back home.

Thoughts? Comments? :D

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 Post subject: Re: The Ending
PostPosted: September 24th, 2011, 1:27 am 
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The only thought (and comment ;)) I have is that it sounds like it has a lot of potential. :book:

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 Post subject: Re: The Ending
PostPosted: September 24th, 2011, 1:17 pm 
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No suggestions for changes? :shock:

;) Thanks, Jonathan. Any ideas on an appropriate ending would be helpful as well, since that's kinda the most important part of the book.

And does the whole thing about endings make sense?

There will be scenes that show Heather unwilling to move on throughout as well. When she finds a peaceful, happy circumstance, she wants to stay there and not risk stopping it.

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 Post subject: Re: The Ending
PostPosted: September 24th, 2011, 9:48 pm 
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I can honestly say I don't have any suggestions for changes right now, either. I might some time when I'm feeling a little more focused, but for the moment, I will say this book sounds great. :book: It's the kind of Fantasy story that I love, through and through. It has a lot of potential. It seems like the kind of story that would be hard to pull off, but if done well (which I believe you can do ;) ) it would be amazing. :D

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 Post subject: Re: The Ending
PostPosted: September 24th, 2011, 10:19 pm 
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Viva la Inkheart! :D

Naturally, all the author-stuff delights me. Actually, where your (nicely-written) summary grabbed me was this line: "And they want her to write the ending their way."

That was a :shock: moment, and I was hooked from there. That's epic. That's amazing. That's... something I want to watch/read. :D

So my biggest suggestion right now is actually - watch the beginning. It seems rather slow, and it could easily be preachy. Don't let it detract from your awesome premise. Don't wait too long to get to the fantasy action.

Don't wait too long for Dustfinger to walk on screen, in other words. While they didn't introduce Capricorn or explain about the Silvertonge ability until much later, the movie Inkheart introduced Dustfinger early to keep the action going. You knew something was up because there was this mysterious man chasing Meggie's father.

Some other suggestions. You might be able to have some fun with Wind and Mineral being the first people to catch Heather. They could at first seem like the good guys - maybe they play up that role to make Light and Water look bad. After all, Heather likes to stay happy - so if she's comfortable with Wind, she'll be upset when Light snatches her away.

On the ending... it almost seems like she should bring about most of the ending with her actions first, then just write the finishing touch.

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 Post subject: Re: The Ending
PostPosted: September 24th, 2011, 11:01 pm 
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That sounds super cool. Really.

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 Post subject: Re: The Ending
PostPosted: September 25th, 2011, 9:59 am 
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Aemi wrote:
That sounds super cool. Really.


Completely agrees with this.

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 Post subject: Re: The Ending
PostPosted: September 25th, 2011, 10:27 am 
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Thanks, Red and Aemi! :D

And thanks for having a look, Phil! :)

I really must see Inkheart sometime.

I'm glad the ending idea grabbed you. :D That is, of course, the main hook of the whole thing. :)

Philadelphia wrote:
So my biggest suggestion right now is actually - watch the beginning. It seems rather slow, and it could easily be preachy. Don't let it detract from your awesome premise. Don't wait too long to get to the fantasy action.

Don't wait too long for Dustfinger to walk on screen, in other words. While they didn't introduce Capricorn or explain about the Silvertonge ability until much later, the movie Inkheart introduced Dustfinger early to keep the action going. You knew something was up because there was this mysterious man chasing Meggie's father.

Thank you! I'm planning on the beginning, before she gets into the world, being very short, almost something like the montage in UP. :)

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Some other suggestions. You might be able to have some fun with Wind and Mineral being the first people to catch Heather. They could at first seem like the good guys - maybe they play up that role to make Light and Water look bad. After all, Heather likes to stay happy - so if she's comfortable with Wind, she'll be upset when Light snatches her away.

This is a great idea! I shall have to play with this.

Quote:
On the ending... it almost seems like she should bring about most of the ending with her actions first, then just write the finishing touch.

Okay, I was thinking along these lines. Like, she brings them all to the sanctuary (something they've never been able to get done while she's gone), and then letting her have that BE the ending, so that what happened after that was another story.

I actually wrote a quick makeshift ending, which Heather would speak while the words came onto the page:

Quote:
Wind held the sword to his sister’s throat, while Heat and Plant huddled together in a corner, frightened, and wanting nothing more than peace.

Creature waited, keeping an eye trained on the snake that encircled Mineral, ready to strike.

Light looked on, watching silently, as the author held the book in her hands. He waited.

Then Creature spoke. “Here we are.”

And they were.

And so the journey ended, in the sanctuary of the Story. The ending was written, but as Light had said, the last word of one story was the first word of the next.

And so the story ended, not with "they lived happily ever after" but with "once upon a time."


Any thoughts? Would this be unsatisfying?

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 Post subject: Re: The Ending
PostPosted: September 25th, 2011, 1:07 pm 
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Aniese of Learsi wrote:
I actually wrote a quick makeshift ending, which Heather would speak while the words came onto the page:

Quote:
Wind held the sword to his sister’s throat, while Heat and Plant huddled together in a corner, frightened, and wanting nothing more than peace.

Creature waited, keeping an eye trained on the snake that encircled Mineral, ready to strike.

Light looked on, watching silently, as the author held the book in her hands. He waited.

Then Creature spoke. “Here we are.”

And they were.

And so the journey ended, in the sanctuary of the Story. The ending was written, but as Light had said, the last word of one story was the first word of the next.

And so the story ended, not with "they lived happily ever after" but with "once upon a time."


Any thoughts? Would this be unsatisfying?


Well. . .Maybe just a little. . . :? Are the controllers now more at peace together? Will Wind and Mineral continue to mess things up? How does Heather get home?
Maybe you could have an epiloge? :D ? Of course, many books end this way, and it is fine too. ;)

*Really likes this story idea* :dieshappy: *Tries not to haggle about the future screenplay possibly morphing into a novel* ;)

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 Post subject: Re: The Ending
PostPosted: September 25th, 2011, 5:19 pm 
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That ending brings around a nice resolution to Heather's internal plot. However, I'm not sure it satisfies the external plot. It leaves the fantasy world with loose ends - is that truly going to be fulfilling for the viewer? It's creative and unexpected, so it might work. But then again, a brilliant ending that resolves both the internal and external arcs might be better.

Another thing you might consider is giving some of the secondary characters arcs of their own - so that when they come together at the mount, they are more prepared to bring about an ending or choose their own ending.

You definitely should watch Inkheart for this. Call it study for your own scripts - a very valid technique.

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 Post subject: Re: The Ending
PostPosted: September 25th, 2011, 8:02 pm 
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Princess Abby helped me brainstorm a better ending earlier, so stay tuned! :D

I put Inkheart on the Netflix list. :D

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 Post subject: Re: The Ending
PostPosted: September 25th, 2011, 9:33 pm 
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*is hooked*

I love how poetic your ideas are! And the story sounds like it will have a lovely flow, with a good mix of metaphoric stuff (heat, light) and physical realities.

I agree that there should be a little more conclusion--we do want to know that she ended up happily married, after all! And what about her real-world parents? Does she forgive them for their divorce? How does that play into the endings theme?

You've got a great story, here, Aniese. It's when you get people to ask questions that you know they care :D

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 Post subject: Re: The Ending
PostPosted: September 25th, 2011, 9:52 pm 
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Thank you, Even! Soon I'm going to put up some of the ideas that Princess Abby helped me think of to make the ending better. :)

~Evenstar~ wrote:
You've got a great story, here, Aniese. It's when you get people to ask questions that you know they care :D

Indeed! Thank you for asking questions! :D

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 Post subject: Re: The Ending
PostPosted: September 26th, 2011, 8:56 am 
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~Evenstar~ wrote:
I agree that there should be a little more conclusion--we do want to know that she ended up happily married, after all! And what about her real-world parents? Does she forgive them for their divorce?



Dawn made a good point, Ani. :D Is there a way you could work her real-life ending into the story? (Or maybe you already have, and you just didn't mention it yesterday. :D )

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 Post subject: Re: The Ending
PostPosted: September 26th, 2011, 9:17 am 
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PrincessoftheKing wrote:
Dawn made a good point, Ani. :D Is there a way you could work her real-life ending into the story? (Or maybe you already have, and you just didn't mention it yesterday. :D )

Nope, I haven't. :P

I was figuring I'd show her waking up, and it would be inferred that she would have a good marriage and forgive her parents. Do you guys think that would be unsatisfying?

I'm working on writing up the new ending, and tweaking a few things in the treatment, then I may post it somewhere around here. :)

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 Post subject: Re: The Ending
PostPosted: September 26th, 2011, 9:28 am 
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Aniese of Learsi wrote:
I was figuring I'd show her waking up, and it would be inferred that she would have a good marriage and forgive her parents. Do you guys think that would be unsatisfying?


If you did it that way, she should probably spend some time thinking about it while she's still in the other world. Just so readers know for sure that she got over her fear of endings. :D

The other thing you could do is use an epilogue, where you could show her wedding, or her happily married - something like that. But I know some people don't like epilogues, and I'm not sure how that would work in a screenplay.

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 Post subject: Re: The Ending
PostPosted: September 26th, 2011, 9:31 am 
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If you make it clear enough that she's no longer afraid of endings, you don't need to show a lot of her back in the real world. We'll assume when she wakes up happy with a change of heart that she'll go forward and live happily ever after. :)

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 Post subject: Re: The Ending
PostPosted: September 26th, 2011, 9:48 am 
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PrincessoftheKing wrote:
If you did it that way, she should probably spend some time thinking about it while she's still in the other world. Just so readers know for sure that she got over her fear of endings. :D

This is a good point! She could talk about it with Light some too.

Thanks, Phil. :) It would also be possible to put something in the end credits, if it's a film. I like that technique.

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 Post subject: Re: The Ending
PostPosted: September 27th, 2011, 3:46 pm 
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PrincessoftheKing wrote:
The other thing you could do is use an epilogue, where you could show her wedding, or her happily married - something like that. But I know some people don't like epilogues, and I'm not sure how that would work in a screenplay.

Ooh! Ooh! I know how that would work for a...movie, anyway...not sure what a screenplay is, but...

Anyway, you could have something like a scene when she's been married for several years (maybe even have her a grandmother), living with her husband still...and it could go beside the credits. ;)

Plus, that might work for an epilogue too, or something along those lines.

Love your ideas, Grace! You have some talent here, that's sure! :dieshappy:

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 Post subject: Re: The Ending
PostPosted: September 28th, 2011, 9:19 am 
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Aw, thanks Milly! :D What a great idea! That would be lovely to show her having been married for a long time. :)

A screenplay is the industry standard language for a script. :) It's just the story that gets made into a film. :D

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 Post subject: Re: The Ending
PostPosted: October 1st, 2011, 12:15 am 
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Jonathan Garner wrote:
The only thought (and comment ;)) I have is that it sounds like it has a lot of potential. :book:

*echoes Jonathan*
These other people have been giving lots of good thoughts (and comments ;)).

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 Post subject: Re: The Ending
PostPosted: October 1st, 2011, 9:29 am 
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Thank you for your thought (and comment ;)) Sui. :D

I submitted the treatment to the competition, so we'll see what happens. :)

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