Thanks for your comments. You have some excellent ideas.
Aubrey Hansen wrote:
Start with a small contest ...
I thought I
was starting small.
Of course there is no science to this, but I had hoped that if I could get 100 people to look at the contest, 10 would participate. I don't remember the count, but it's pushing 200 hits and only 2 have accepted. So, I guess the odds are worse than I figured for getting it started ... more on credentials later.
Aubrey Hansen wrote:
Also, while cash prizes are wonderful, they can sometimes be perceived as a bit hokey--or make you look too desperate. You might actually get more interest if you offered a prize with a cash value (i.e., Amazon Gift Cards--for some reason gift cards are not as hokey as cash) or another object with value to a writer--Scrivener software, writing curriculum, etc.
That's a great idea.
Aubrey Hansen wrote:
Which brings me to another point... What are your credentials?
That's a perfectly reasonable question, and one I tried to answer by posting my CV. Publishing, as with many businesses, is a "what have you done for me lately?" industry. Depressing but true.
I've been published in fiction and nonfiction, print and online. In the fiction market I reached the point where I was being paid semi-pro rates, and in the non-fiction market I was getting requests to travel and speak. But I burned out and took a few years off - maybe a mistake and my burden to bear - but it seems few people know me anymore.
In the speculative world I was part of the editorial team for the DoubleEdge community (MindFlights, Haruah, Raygun). Sadly, they're all gone now. My colleagues in that community also seem to have burned out. I'm glad to see Bewildering Stories & EveryDay Fiction are still going strong - the other places I used to hang out ... and I'm in the process of reconnecting there as well.
So, I'm not Tolkien ... not even Theodore Beale, but I'm not a novice either.
With that said, I find your question an interesting one. When I was first trying to break into writing I was willing to do anything and everything for free (within certain moral limits of course). Even if the most obscure, non-paying e-zine was willing to publish me I jumped at the chance. Exposure is worth gold in this industry. That's why the reaction somewhat surprised me. Almost 200 hits saw my offer to pay, and there are almost no takers. Hmm.
When I started out I did some research. How many writers are there? Millions. What percentage ever get paid to write? About 20%. What percentage manage to eek out a living? About 5%. What percentage get a book with a big house? About 1%. How many become a name like Tolkien or Rowling? About 0.001% That's off the top of my head. I didn't actually pull out my old research, so I may be a bit off. But you get the point. The numbers are depressing. Depending on what your goals are, you need to seize the opportunities when they come.
Anyway, I realize it will take time to re-establish myself. Still, it produces several sighs from me.
Aubrey Hansen wrote:
You're on Holy Worlds, one of the greatest mission fields for this kind of work ...
I'll send the question back to you. What are
your credentials? I hadn't heard of HolyWorlds until recently. What publishing successes have your members had?
Aubrey Hansen wrote:
If you still want to give money, remember that you can donate to or invest in resources that writers will benefit from, instead of giving cash prizes. Pardon the shameless plug ...
You don't have to apologize. It's part of the business. I'd be willing to consider it, but now you get to learn about the pitfalls of patrons.
Money means control. Honestly, that's why I started off solo. If money is involved, I need to be comfortable with how it's used, but it would make me feel bad to get in someone else's business. You have your vision of what Holyworlds should be, and you don't want me messing with that vision.
Still, as I said, I'm willing to talk.
FYI, one thing that provides a level of comfort is to establish a "school of thought". I am what is known as a "Confessional Lutheran", and I am involved with the arts community at Concordia University in Chicago - yes, I actually donate money to them - simply because I know we share a common "school of thought". I'm comfortable that they will spend my money in a way consistent with my beliefs, and so I don't have to play watchdog over everything they do. I've started talking to them about getting more involved, and maybe that will be enough for me ... or maybe I need to be satisfied with whatever that becomes.