Kathrine Mimetes wrote:
I've thought this again and again (and again), but I still read the book first.

But I have reasons!
That first read of a book is sparky and adventuresome. The mark of a truly good book is that you can read it again and again, but the first read is still special.
You don't know what is going to happen next. I
love that feeling while reading a book. If I watch the movie first... I've lost that. I know a few or most of all of the main plot points.
I completely disagree.
The re-reader is looking not for actual surprises (which can come only once) but for a certain surprisingness…In the only sense that matters the surprise works as well the twentieth time as the first. It is the quality of unexpectedness, not the fact that delights us. It is even better the second time. Knowing that the "surprise" is coming we can now fully relish the fact that this path through the shrubbery doesn’t look as if it were suddenly going to bring us out on the edge of the cliff. So in literature. We do not enjoy a story fully at the first reading. Not till the curiosity, the sheer narrative lust, has been given its sop and laid asleep, are we at leisure to savour the real beauties. Till then, it is like wasting great wine on a ravenous natural thirst which merely wants cold wetness. The children understand this well when they ask for the same story over and over again, and in the same words. They want to have again the "surprise" of discovering that what seemed Little Red Riding Hood’s grandmother is really the wolf. If is better when you know it is coming: free from the shock of actual surprise you can attend better to the intrinsic surprisingness of the peripeteia. --C.S. Lewis
For example, I knew how
The Lord Of The Rings was going to end long before finishing it; but my enjoyment was not diminished on that account. To be honest, I think knowing the ending takes more away from the movie than the book.
Kathrine Mimetes wrote:
Visualization is ruined. If I can have the visualizations from the book and enjoy and love the movie's visualizations, but the opposite isn't true: the movie's visuals are already there, and the original words can't compete with the flesh-and-blood pictures already in my head. I want to have the book's pictures-from-words. The book and the movie from the book are two different pieces of art, not because the plot will most likely need adjusting for the big screen, but because of the images created.
Hmmm. I'll have to think about this one, but I think I'll disagree with you here too; I suspect I'll find that in my case, having seen the movie allows me to envision the book's events more clearly, where before it would have been hard work to visualize everything, but I can still override a particular element if it's different from movie to book.